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ABOUT
the Middle East Music Society
History The following is brief history of this group and how we came along.
On February 2003, the Arab Classical Music Society (ACMS) was established
as an on-line e-mail group for the purpose of promoting Arab music events,
networking, and for coordinating related activities in the Chicago area
and elsewhere. One year later, our list grew to over 400 members most
of whom are musicians, music lovers, and/or enthusiasts. Since then,
many voices have suggested and encouraged us to provide more services
to the community, including performances, workshops, related materials,
and initiate a referral service. These ideas have induced some of us
to believe that the best way to respond to these variable demands is
to transform the group into a structured non-for-profit organization.
This structure, we believe, will ensure a long-term service in support
of Arab music, musicians, and our communities, and will allow us to pursue
our goals with more resources in hand. Since then, some of these ideas
have been partially implemented, including the establishment of an On-line
Arab Music Archive (pending), production of the Recorded Anthology
of Arab Classical Music (pending), Musicians’ Referral System
(information gathering), the Arab Music and Dance Festival of
Chicago (information gathering), and the Annual Arab Music Retreat
of Chicago (pending). The later program brings professional musicians
and experts from many places throughout the U.S., Canada and abroad for
the purpose of teaching Arab music to students, and expands the realm
of its venues.
Currently,
the ACMS, as an informal group, has already been involved in some formal
activities with other institutions, including being part of a consortium
lead by the Chicago Cultural Center and includes the Arab American Action
Network, Center of Middle Eastern Studies at U of C, and the Arab Arts
Council. The main purpose for this consortium is to invite musical group
from various Islamic countries to perform in Chicago. The role of ACMS
will be to coordinate workshops, talks, and collaborations with these
guest groups. These performances will take place between the fall of 2004
and late summer of 2005.
Although
all these activities and ideas are sound and promising, I reinforce
that they require formal structure and both technical and service oriented
expertise. I therefore suggest that it’s time for all of us to
get involved more seriously in the process, consolidate our strengths
and efforts, share ideas, embrace our diverse backgrounds, and start
working together as one functioning unit, in a non-for-profit setting.
To accomplish this, I suggest forming at our first meeting an Administrative
Committee (AdCom) of six-eight individuals, including Chair. Their task
will be to determine the main
structure of the organization and pursue processing of all paper work
related to application for non-for-profit status. At the same time, we
all need to elect a number of officers (at least three) who will lead
the organization during the next term, which may last up to three years.
These officers will become the corporation members for the non-for-profit
organization. Election of these officers, however, doesn’t have
to take place at our first meeting. We can leave it for future meetings.
Agenda
Before I
introduce a suggested agenda for this meeting, I just want to say that
I have a great deal of respect to all of you; the trust that I have
in you is well deserved and immensely valuable. And I also would like
to express my gratitude to all those who have showed support to ACMS
to what it stands for. In addition, I would like to take this opportunity
and advocate for focusing on our common objectives and goals and put
behind us any misunderstandings and/or disagreements that have risen
between any of us in the near or distant past. I am confident that
we all have what it takes to overcome all obstacles. On that note,
I would like to remind everyone that establishing mature communication,
respect, tolerance, and dynamic environment, requires a great deal
of patience and acceptance to who we are and what we believe in. I’ve
accordingly listed few suggested norms through which I believe we’re
ought to establish our goals. The document is attached, please review
it and let me know if any points need clarification, modification or
you would like other points to be added.
On the agenda are many issues to be discussed, coordinated and/or assigned.
A provisional list of the agenda is the following:
- Select
a note-taker, someone who would document conversations and summarize
it to all members.
- Select
a facilitator who would lead the meeting.
- Select
three technical helpers, who would distribute handouts, collect materials
and organize turns for those who raise their hands to be recognized.
- Discuss
proposed Mission Statement: The
Arab Classical Music Society (ACMS) is an educational organization
that brings the universe of Arab Music within reach, so people
can discover its beauty and enrich their musical experiences. To
support this, the ACMS produces performances and recordings, facilitates
teaching, collects and organizes materials, and provides access
to resources that make it possible to engage in research, creative
work, teaching, and learning.
- Elect
six-eight individuals as Administrative Committee (AdCom) that would
lead us towards the formal establishment of ACMS as non-for-profit
organization.
- Assign
tasks related towards the accomplishment of the non-for-profit status.
Individuals in AdCom and other member may have these tasks distributed
among them. These tasks include contacting an attorney, filling out
forms, writing up the charter, advocacy, follow up, etc. Selected
members of AdCom should be involved in monitoring and implementing
these tasks among and other members while heading subgroups that
are established, when needed.
- Determine
a financial strategy through which we can pay our expenses.
I suggest that for the time being we can determine a particular amount
as membership fee to cover some of these expenses.
Projects / Agenda
As for our pending projects that need further structuring and support,
I am hoping for this meeting to at least accomplish a few. The following
are brief descriptions of what we have been doing and the kind of things
that are needed towards completion:
A- The Recorded Anthology of Arab Classical Music.
In separate
occasions and with many different people, I have discussed this idea
- producing a recorded anthology- and attempted to explore and observe
people’s reactions to it, in principal, it seems to
appeal to everyone! At a meeting at Naeif’s, almost a couple of
months ago, (Present: Kinan Abou Afach, Walid al-Hajali, Issa
Boulos, Omar al-Musfi. Abscent: Wanees Zarour, Majed Abu Ajamia),
a provisional plan was put in place to start rehearsals on selections
of instrumental works written by Syrian composer ‘Ali al-Dariwsh.
This will constitute the first volume of the Anthology, and there will
be many more to follow. Although, the repertoire hasn’t been totally
determined nor the mechanism by which we abide, our first rehearsal took
place successfully at Walid’s, just two weeks ago. The rehearsal,
however, lacked interpretive preparation and clear vision of what we
need to convey.
This long-term project needs extra care and a great deal of hard work.
It articulates our credibility and reinforces our mission and goals.
I suggest that we form a committee for each project. Regardless of its
makeup, this committee will:
1- Select the repertoire for each project.
2- Select musicians who would be best for that particular project.
3- Assign one individual or more to direct the music and carry
out interpretations in line with the guidelines determined by the committee
and other attainable personnel, expertise and/or resources.
B- The On-line Arab Music Archive
This project will give free access to registered users to Arab sheet
music, manuscripts, monographs, audio files, and other materials. Provided
materials will be in public domain and consistent with copyright laws.
Maged Mikhail and Usama Zayed have both agreed on taking up this mission
and deliver by the summer of 2004. Although they both have
different
approaches to how to organize and access the database, and in fact
probably never met, I believe that they are both fully dedicated to
making it happen. Therefore, I would like to encourage both, Maged
and Usama to work together on this, and try to make the best of their
expertise. They’re
both invaluable to the group, and their presence is needed and indeed
a strength. On that note, I suggest the following:
1- Ask both, Usama and Maged to get together between now and
our meeting on February the 18th, to discuss the Archive and present
their vision to the whole group, hopefully a unified one.
2- Form a committee that will oversee the project and plan for
its future, maintenance, funding, quality control, access, and recruitment
of volunteers or staff for processing.
3- Determine which technology to use, hosting, space to be purchased,
costs, domain name, etc.
4- Assign and coordinate who would pursue collection of material.
5- Assign and coordinate who would apply processing of material
(scanning, conversions).
6- Discuss how we are going to pay for service.
C- Arab Music Retreat of Chicago
This annual
activity is central to our growth and audience base. As an instructional “facility,” which
could be at times portable, the concept has a great potential to grow
and appeals to donors. I therefore suggest forming a committee to cover
logistics and do the following:
1- Processing applications of participants.
2- Determine the place where this Retreat will take place.
3- Apply
for funding. (Once we’re approved)
4- Select instructors and coordinate their schedules throughout.
5- Arrange
for participants’ stay, needs and activities.
6- Promote the retreat.
Following our workshop in October 2003, at U of C, which was successful
and we had over 50 participants; some progress has been made at this
frontier, and we currently have two options in regards to where can we
assemble: the University of Chicago or Lake Forest College, thanks to
the Department of Music at U of C and Kirk-Evan Billet at Lake Forest
College, respectively.
D- The Arab Music and Dance Festival of Chicago
This idea emerged during conversation with individuals from the community
and others who are associated with cultural institutions. Some of these
institutions expressed willingness to partner with us, including the
Chicago Cultural Center. The idea is to initiate a festival that coincides
with, and reinforces the events that take place during the
Arab Heritage Month. The Arab Arts Council has been organizing events
throughout the period and they have been doing a great job. I propose
to partner with Widad al-Bassam, at the Arab Arts Council, in order for
this month to be highlighted even further, attract wider audience and
promote our music.
So far, no progress has been made at this frontier.
E- Musicians
Referral System
The idea behind this program is to help musicians support themselves
by networking, learn about available opportunities and contracts, and
provide venues with press-kits about our artists so they can be promoted
and hired.
Finally, although some of the above-mentioned objectives are either
so optimistic and/or ambitious, they can indeed be accomplished if well
planned and concluded. We can always prioritize, distribute attainable
tasks, and determine time frames that are reasonable. As long as our
structure is clear and our recruitment of new members is continuous and
consistent, these objective may be achieved fairly soon.
All attendees
at this founding meeting have the right to nominate themselves, someone
else, and vote.
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